Zaire Baptiste is a multi-disciplinary artist that has been a part of the Streb Extreme Action for over 10 years producing visual and audio content as well as performing movement with the company. Zaire’s athletic football background has helped him fit in with Elizabeth Streb’s extreme action movement. Known as “The Voice of Streb” Zaire has been DJ/VJ and MC now Zaire will curate the sound talent as a part of Elizabeth Streb’s show SEA, presenting DJs and producers playing sounds to accompany the pop action movement. Zaire is set to showcase sound and movement for Streb’s latest Slam Show.

Laura is a long-time journalist, author and media activist.  She wrote the New York Times bestseller Bushwomen: Tales of a Cynical Species (2004, Verso) and Blue Grit: Making Impossible, Improbable, and Inspirational Political Change in America, (2007, The Penguin Press.) She’s the founder and host of GRITtv. You can find out more at lauraflanders.com and follow her on Twitter @GRITlaura.

Recent Projects: America Amerique, Jena Co. Tour 2010. Asst. Lighting Designer: A Boy and His Soul, The Vineyard Theatre; Othello, Shakespeare on the Sound. Off-Broadway Design Credits; The Public Theater, NYC: Embedded (Written and Directed by Tim Robbins). 59E59: Cooking for Kings and Beau Brummell (Director Simon Green) Los Angeles Design Credits; The Actors’ Gang: Blood, Love, Madness (Director Brent Hinkley), Little (Director Shira Pivens), Self Defense (Director Beth Milles), Embedded, Orlando (Director Joyce Pivens). Evidence Room: Flow My Tears, The Policeman Said (Director Bart DeLorenzo), CRINGE (DeLorenzo), and 99¢ DANCE EXTRAVAGANZA- 2002 (Choreographer Ken Roht). The Boston Court: Pera Palas (Director Michael Michetti), Garland Award for Lighting Design. Resident Assistant: Mark Taper Forum 2003-2006. MFA – NYU, Tisch. Web: www.greenelightdesign.com

Ms Harrington received the Drama Desk, The Outer Critics Circle and American Theatre Wing Awards for the projections in The Who’s Tommy. Other Broadway credits: Amy’s View, The Good Body, Civil War, Putting it Together. Freak, Ragtime, The Capeman, Racing Demon, Company, Having Our Say, Four Baboons Adoring the Sun, The Heidi Chronicles, My One and Only, and Their Playing Our Song. Off Broadway: Les MIZrahi (Visual Director), As Thousands Cheer, Merrily We Roll Along (3 times!) Hapgood, and the ill-fated Whistle Down the Wind. Opera: Brundibar, Grapes of Wrath, Nixon in China, A View From The Bridge, The Photographer, The Magic Flute, Ghosts of Versailles, Rusalka, Orpheo ed Euridice Ballet: Anna Karenina, Othello Ballet Mecanique, Concert: Stop Making Sense, The Talking Heads, Ira Gershwin at 100,Carnegie Hall, Simon and Garfunkel Old Friends Tour, Chris Rock. Sports: Player introductions for the New York Knicks, Rangers and Liberty at Madison Square Garden. Ms Harrington is the recipient of the 1995 Obie Award for excellence in projection design and the Michael Merritt Award for Design and Collaboration. The former design director of Esquire Magazine, she produced Words on Fire for PBS and two fine daughters. She lectures widely on Projection design and is on the faculty of the Yale school of Drama.

Broadway: American Idiot. Off Broadway: Unnatural Acts (Classic Stage),’Or (Women’s Project), The Butcher of Baraboo (Second Stage Uptown), Elephant Dreams (Joyce), Status Entropus (NYC, Greece), Our Lady of 121st Street, and Hair (NYU).  Touring: Bring It On, the Musical National Tour, American Idiot, National Tour.   Regional:  TRU (Baystreet), Bring It On, the Musical (Alliance Theatre) American Idiot (Berkeley Rep), Selected Alley Theatre Credits (Houston, TX): The Crucible, After the Fall, Who’s Afraid of Virginia Woolf, Steel Magnolias, Soccer Moms (Fleetwood Stage). She also designs for dance: The Trey McIntyre Project, STREB (Kiss the Air!, FORCES), and is a fashion stylist.   Her fashion designs have been published in Fashionable Technology by Sabine Seymour and her styling work has been seen in the 2010 April issue of American Vogue, and on the 52nd Annual Grammy Awards. M.F.A. NYU (Baryshnikov Fellow)

Jim wrote and co-conceived FELA!, winner of 11 TONY nominations on Broadway, and 3 Oliviers for the National  Theatre production in London.  He personally received nominations for both “Best Musical” and “Best Book for a Musical” for these productions.   Prior to that, Jim also received a Lortell Award for “Outstanding Musical” for FELA! and an unprecedented two Drama Desk nominations in the same year for “Best Book” for both FELA! and This Beautiful City (w/ The Civilians).  FELA! recently completed a two-year worldwide tour.  Other selected works. Broadway: Chronicle of a Death Foretold (TONY, Drama Desk nominations); and Dangerous Games (both w/ Graciela Daniele). Off Broadway/Regional: Tango Apaisionado; Ionesco’s The Chairs; Ibsen’s Lady from the Sea. Opera/Dance: Paul Dresher’s The Tyrant; Ballet Hispanico’s Nightclub; Philip Glass’ Les Enfants Terribles;PastFORWARD (w/ Mikhail Baryshnikov). Dramaturg: House Arrest (Anna Deavere Smith); Drawn to Death (Art Spiegelman); Cymbeline and Waste (w/ Bartlett Sher); Lincoln Center’s WOZA AFRIKA Festival. W/ Bill T. Jones: Dream On Monkey Mountain, Chapel/Chapter, and Still/Here (20th Anniversary Season.

Erik Pearson is a director and projection designer.  He has directed in New York for Playwrights Realm, American Opera Projects, HERE, terraNOVA, Studio NYC, New York Theater Experiment, Lark and NYU/Tisch, as well as regionally for Shakespeare Theatre Company, Shakespeare Santa Cruz and BRAVA!  He has designed projections in New York for SOHO Playhouse, Intar, STREB and the new musical Heading East with B.D. Wong.  Regionally he has designed for El Paso Opera, The Magic, Shakespeare Santa Cruz, Marin Theatre Company and Center Rep as well as Moorehouse/Spellman College, Brandeis Theater Company and The University of California at Santa Cruz where he taught theatrical projection design.  Upcoming: Directing Billy Witch, a new play by Gregg Moss, for Studio 42.  Erik holds an MFA in directing from Yale School of Drama.  www.elpearson.com

Alex Rappoport is an award-winning cinematographer, editor, and independent video producer specializing in documentary filmmaking.  Since 2009 he has been the director of photography for History Channel’s Swamp People series.  From 1996 to 2001 he produced numerous segments for WNET’s City Arts and PBS’s Egg: The Arts Show.  More recently he has directed and shot several music videos, image spots for the Sundance Channel and Nick Jr., documentary shorts for Etsy.com and Gallery HD, and produced multiple interstitial programs for the Sundance Channel. In the early 1990’s, Alex shot and/or cut numerous promotional pieces for MTV, VH1, USA Network, Nickelodeon, and The Sci-Fi Channel.  As a director of photography he has numerous broadcast credits including National Geographic, The History Channel, PBS, Food Network, VOOM, and several Emmy Award-winning programs for HBO and HBO Family.

Broadway: Doubt, Born Yesterday, Arcadia, Elling, The Normal Heart, Mrs. Warren’s Profession, A Behanding in Spokane, A Man for All Seasons, Reckless, Inherit the Wind, Frozen, After Miss Julie, Judgment at Nuremberg, The Crucible, The Good Body, Uncle Vanya. Off-Broadway: Happy Hour, The Lyons, Wit, Through a Glass Darkly, Dreams of Flying Dreams of Falling, Farragut North, How I Learned to Drive, The Grey Zone, The House in Town, The Paris Letter, The Heart Is a Lonely Hunter, Jack Goes Boating, Woman Before A Glass. Film/TV: Buried Prayers, Eye of God, Working Girls, Penn & Teller and The Wooster Group. Dance: Twyla Tharp, Doug Varone, Michael Moschen, Elisa Monte, Hilary Easton, Boston Ballet. Percussionist: Laurie Anderson, Talking Heads, Brian Eno, and Steve Reich, Love of Life Orchestra. CDs: Thrown for a Loop, Strange Cargo, Safety in Numbers, These Things Happen. Internet: www.vantieghem.com

As a lighting designer, Mr. Wierzel has worked with artists from diverse disciplines and backgrounds in theatre, dance, contemporary music, museums and opera on stages throughout the country and abroad. Robert has a long collaboration (26 years) with choreographer & director Bill T. Jones and the Bill T. Jones/Arnie Zane Dance Company.  His other dance collaborations include works with choreographers Elizabeth Streb, Liz Gerring; Andrea Miller/Gallim Dance Company; Doug Varone; Larry Goldhuber and Heidi Latsky; Sean Curran; Molissa Fenley; Donna Uchizono; Alonzo King; Charlie Moulton; Arthur Aviles; Margo Sappington; the Alvin Ailey American Dance Theatre and the Trisha Brown Dance Company. Productions with the opera companies of Paris-Garnier; Tokyo; Toronto;  Bergen & Kristiansand, Norway;  Folk Opera, Sweden; Glimmerglass Festival; New York City Opera;  Seattle; Boston Lyric; Minnesota; San Francisco; Houston; Washington; Virginia; Chicago Lyric; Montreal; Vancouver; Florida Grand; Portland, among others. His theatre work has been seen on and off Broadway, including the musical Fela! (Tony Award nomination) and at the Royal National Theatre of London, UK. Robert’s extensive theatre work includes productions at most major regional theatres within the country, from New York to San Francisco.

Brandon has composed music and designed sound for dance and theater at dozens of productions around NYC and the U.S. Recent/Notable productions include:   Hit the Wall at Barrow Street. Henry V at Two River (Original Music). Kiss the Air at The Park Avenue Armory. Titus Andronicus at The Public (Original Music). The Maids with Red Bull. The Tenant with the Woodshed Collective. NYC credits include: MTC, The Public, Ontological, The Joyce, LaMama, DTW, Clubbed Thumb, 59e59, PS122, 3LD, New Ohio and many more…

Robert Woodruff has directed over 60 productions across the U.S. at theatres including Lincoln Center Theater, Public Theater and BAM. Most recently, he directed Celebration at the Hungarian State Theater in Cluj, Bergmans Autumn Sonata at Yale Rep and Madame White Snake for Opera Boston, which premiered at The Beijing Music Festival. Internationally, his work has been seen at the Habimah National Theatre in Israel, Sydney Arts Festival, Los Angeles Olympic Arts Festival, Edinburgh International Festival, Hong Kong Festival of the Arts, Jerusalem Festival and Spoleto Festival USA. Early work includes many premiere productions with Sam Sheppard including the Pulitzer Prize-winning Buried Child. He is currently on the faculty of Yale School of Drama. United States Artists named Woodruff a 2007 USA Biller Fellow.